As published at OpEd News, Smirking Chimp, Unz Review, Intrepid Report, TruthSeeker and LewRockwell, 6/15/18:
I was just interviewed by two Temple journalist students, Amelia Burns and Erin Moran, and though they appeared very bright and enterprising, with Erin already landing a job that pays all her bills, I feel for these young ladies, for this is a horrible time to make and sell words, of any kind, and the situation will only get worse. We’re well into postliteracy.
With widespread screen addiction, hardly anyone buys books or newspapers anymore. My local newspaper, the Philadelphia Inquirer (Inky), no longer has a book review section. Its retired editor, Frank Wilson, was never replaced. Frank had three of my books reviewed, Night, Again, Fake House and Blood and Soap, but the last was in 2004.
Frank lives near me, so I see him around. A lifelong Philadelphian, he takes pride in knowing the city well. Speaking of Steve Lopez, an Inky reporter who made his name with a novel about North Philly, Badlands, Frank sneered that Lopez didn’t actually try heroin, so he didn’t really know what he was talking about. Frank did.
If you mess with Frank, the bearded, snarling Irishman will maul you with his cane. Frank’s not just ancient, but old school.
After moving to Philly in 1982, I’d read Clark DeLeon’s daily column in the Inky. Covering the city with knowledge, heart and humor, DeLeon helped me to feel grounded, and challenged me to explore my new home. After 23 years at the “same sloppy-topped gun-metal gray desk,” DeLeon was fired, however, a casualty of postliteracy.
Clark, “For 16 years I wrote six columns a week for the paper’s metro section. In later years I was cut back to five columns a week. In the final year, I was down to 1 column a week in the feature section.”
No longer a professional journalist, Clark earns his keep by working as a costumed tour guide outside Independence Hall. Done with work, he’d often down a few at Dirty Frank’s. A tall, square-jawed and rugby playing dude, Clark would sit there in his black tricorne hat, brown waistcoat and white shirt with billowing sleeves, like a hulking Paul Revere, here to announce the worst of possible news. The death of the word, and thus thinking, is coming!
One recent evening, there was karaoke at Frank’s, so Clark got up to sing Springsteen’s My Hometown. With his strong, sonorous voice, Clark handled its lyrics expertly, but then he unexpectedly choked up, and had to stop. It’s understandable, because the song’s depiction of economic collapse describes the country and city he loves, as well as his own plight:
Now Main Street’s whitewashed windows and vacant storesOur physical degradation is nothing compared to our mental derangement. Take our song lyrics, which are no longer required to make sense, as long as the beat is righteous. Postliterate, we fumble and befoul English. As we are forced to shout at each other above the constant din, there is no subtlety left to language.
Seems like there ain’t nobody wants to come down here no more
They’re closing down the textile mill across the railroad tracks
Foreman says these jobs are going boys and they ain’t coming back