Cartier-Bresson always wanted a person in the frame, even if there was great, obscure architecture in front of him. Linh is the same way.. he talked once about wanting a person in the frame as much as possible. I point out something to him with no people in the frame that may not rise to the level of a moderately famous Atget as Atget didn't care so much whether people are in the frame, but still it's a goodie that Atget might do something interesting with, and Linh usually passes. This one strikes me as a Cartier-Bresson that Linh got because he was there and not Henri. No one compares to Cartier-Bresson's compositions and Henri never cropped his shots later.
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Cartier-Bresson always wanted a person in the frame, even if there was great, obscure architecture in front of him. Linh is the same way.. he talked once about wanting a person in the frame as much as possible. I point out something to him with no people in the frame that may not rise to the level of a moderately famous Atget as Atget didn't care so much whether people are in the frame, but still it's a goodie that Atget might do something interesting with, and Linh usually passes. This one strikes me as a Cartier-Bresson that Linh got because he was there and not Henri. No one compares to Cartier-Bresson's compositions and Henri never cropped his shots later.
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