Kill ‘Em All
Sovereign countries are sandboxes
For Uncle Sam, as he loves to suck
The black stuff from beneath sand,
But don’t blame me, I’m just another
Pissed off dipshit bored out of his wits
Among so much sand, so I wander
Off base to puncture some ragheads.
Male, female, old, young or just born
All look about the same, even alive.
Maybe I’ll get on the cover of Esquire,
Like Lieutenant Calley, swarmed by gooks.
Biologically, we’re programmed to love
What’s most like us. I’m fond of my face,
And you don’t have a choice but to adore
Your ape demeanor. It’s how we’re made.
Genocide, then, is built into the equation,
For each of you I kill, there will be more
Of me, proportionally, in this sick world.
What to make of my President, then,
For as a Kenyan Socialist Liberal Messiah
Who can hoop, slow jam and weep on cue,
When not cracking joke about drones, he
Resembles no American we’ve ever known?
Personally, I don’t mind seeing that hue,
If it shuts up blacks and smart whites.
To keep oil gushing from bloody sand,
And steel boxes humming on asphalt,
They may even prop up a chick or spic.
Roaring, “Bye, bye, Miss American Pie,”
I’ll strafe weddings, funerals and baby showers,
Blast children from their first English lessons.
Monday, November 16, 2015
- Linh Dinh
- Born in Vietnam in 1963, I came to the US in 1975, and have also lived in Italy, England and Germany. I'm the author of a non-fiction book, Postcards from the End of America (2017), two books of stories, Fake House (2000) and Blood and Soap (2004), six of poems, All Around What Empties Out (2003), American Tatts (2005), Borderless Bodies (2006), Jam Alerts (2007), Some Kind of Cheese Orgy (2009) and A Mere Rica (2017), and a novel, Love Like Hate (2010). I've been anthologized in Best American Poetry 2000, 2004, 2007, Great American Prose Poems from Poe to the Present, Postmodern American Poetry: a Norton Anthology (vol. 2) and Flash Fiction International: Very Short Stories From Around the World, etc. I'm also editor of Night, Again: Contemporary Fiction from Vietnam (1996) and The Deluge: New Vietnamese Poetry (2013). My writing has been translated into Italian, Spanish, French, Dutch, German, Portuguese, Japanese, Korean, Arabic, Icelandic and Finnish, and I've been invited to read in London, Cambridge, Brighton, Paris, Berlin, Leipzig, Halle, Reykjavik, Toronto, Singapore and all over the US. I've also published widely in Vietnamese.