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Friday, June 9, 2017

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LIBRERIA MARCONI--Mexico City





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1 comment:

Ian Keenan said...

I went to a lecture/ concert at the music conservatory in Morelia: classical European music. Every seat in the hall was taken by students; it may have been mandatory. Coming from NE US you notice the earnestness of the students. There were no jaded attitudes or detachment. The students walked out intensely discussing the lecture and humming different parts of the music performance to each other.

Mexican poetry is diverse but the intense spiritual quest many people still document is shocking to US readers accustomed to readings of 'shallow irony, punch line, pop culture reference, modernism reference, political buzz phrase, punch line, shallow irony..' The classics poets through mid-20C are predominantly spiritual.

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About Me

Born in Vietnam in 1963, I came to the US in 1975, and have also lived in Italy, England and Germany. I'm the author of a non-fiction book, Postcards from the End of America (2017), two books of stories, Fake House (2000) and Blood and Soap (2004), five of poems, All Around What Empties Out (2003), American Tatts (2005), Borderless Bodies (2006), Jam Alerts (2007) and Some Kind of Cheese Orgy (2009), and a novel, Love Like Hate (2010). I've been anthologized in Best American Poetry 2000, 2004, 2007, Great American Prose Poems from Poe to the Present, Postmodern American Poetry: a Norton Anthology (vol. 2) and Flash Fiction International: Very Short Stories From Around the World, etc. I'm also editor of Night, Again: Contemporary Fiction from Vietnam (1996) and The Deluge: New Vietnamese Poetry (2013). My writing has been translated into Italian, Spanish, French, Dutch, German, Portuguese, Japanese, Korean, Arabic, Icelandic and Finnish, and I've been invited to read in London, Cambridge, Brighton, Paris, Berlin, Leipzig, Halle, Reykjavik, Toronto, Singapore and all over the US. I've also published widely in Vietnamese.