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A 1989 painting by Myrteza Fushekati, same artist as below, but notice the tremendous difference between an inspired work of art and propaganda, done for the state. CRONIQUE SUR PIERE is French for Ismail Kadare's Kronikë në gur, or Chronicle in Stone. (Fushekati mispelled "Pierre," however, and "sur," meaning "on," is also a mistranslation. It's not Chronicle on Stone, but in Stone.) The novel is about Gjirokaster, and it is delightful how Fushekati depicts it here (detail).

Kadare begins Chronicle in Stone with this magical description of Gjirokaster, his hometown:

It was a strange city, and seemed to have been cast up in the valley one winter’s night like some prehistoric creature that was now clawing its way up the mountainside. Everything in the city was old and made of stone, from the streets and fountains to the roofs of the sprawling age-old houses covered with grey slates like gigantic scales. It was hard to believe that under this powerful carapace the tender flesh of life survived and reproduced.

The traveller seeing it for the first time was tempted to compare it to something, but soon found that impossible, for the city rejected all comparisons. In fact, it looked like nothing else. It could no more support comparison than it would allow rain, hail, rainbows, or multicoloured foreign flags to remain for long on its rooftops, for they were as fleeting and unreal as the city was lasting and anchored in solid matter.

It was a slanted city, set at a sharper angle than perhaps any other city on earth, and it defied the laws of architecture and city planning. The top of one house might graze the foundation of another, and it was surely the only place in the world where if you slipped and fell in the street, you might well land on the roof of a house — a peculiarity known most intimately to drunks.

Yes, a very strange city indeed. In some places you could walk down the street, stretch out your arm, and hang your hat on a minaret. Many things in it were simply bizarre, and others seemed to belong in a dream.

While preserving human life rather awkwardly by means of its tentacles and its stony shell, the city also gave its inhabitants a good deal of trouble, along with scrapes and bruises. That was only natural, for it was a stone city and its touch was rough and cold.

No, it was not easy to be a child in that city.

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